Varying the angles both on focus and in location make a shoot far more interesting. The different degrees of capture allow the viewers more depth and scope.
I realise it’s probably a bit more awkward shooting from the floor upwards but it does give the model a more majestic, dynamic feel.
I believe these are the lowest angle shoot we’ve seen and well worth the effort. I hope, success pending, we may shoot more front and rears from a lower level, no always from the floor but perhaps a stool or small table.
I while ago I was in a TV commercial and had to jump over the lens. I saw for myself on the TV the Goliath effect of the Director’s objectives.
Varying the angles both on focus and in location make a shoot far more interesting. The different degrees of capture allow the viewers more depth and scope.
I realise it’s probably a bit more awkward shooting from the floor upwards but it does give the model a more majestic, dynamic feel.
I believe these are the lowest angle shoot we’ve seen and well worth the effort. I hope, success pending, we may shoot more front and rears from a lower level, no always from the floor but perhaps a stool or small table.
I while ago I was in a TV commercial and had to jump over the lens. I saw for myself on the TV the Goliath effect of the Director’s objectives.
mostly we are playing with the cameras
bc
seems good from here